Showing posts with label east brunswick club. Show all posts
Showing posts with label east brunswick club. Show all posts

Friday, January 20, 2012

Band - Expatriate at East Brunswick Club

Gig: Expatriate, “Miracle Mile” gig
Support: Them Swoops, Undercolours
Venue: East Brunswick Club, $15 tix
Date: Thursday 15th December, 2011

Late last year we noticed that Expatriate, a Sydney band that made something of a splash around Australia’s live music scene in 2007, would be playing an almost inconspicuous gig at the East Brunswick Club. Tickets were only $15 and we had good memories from the Expatriate gigs that we saw four years ago. So, we jumped on the opportunity to hit one more gig around the old suburbs in 2011. More importantly, we knew that it would sadly also be our last ever gig at East Brunswick Club. The venue, one of my top 5 live music rooms of recent years in Melbourne, has fallen victim to developers who will suck cultural life out of the place in favour of making a buck on building apartments (boo!).

Anyway…Expatriate gig…good band, good price and one last hoorah to a good venue…hence, we were excited to catch these synthy-pop-rock boys who had produced the excellent album In the Midst of This (an excellent soundtrack for running to!) then went quiet for so long.

So it's a shame the Expatriate set was a bit of an dud. More on that later though.


We arrived as first support, Them Swoops, were starting up. At first this local three piece had a very working class feel about them. They played a type of indie-pop-fuzz-rock with a splash of psych. Upbeat, they worked well as a young band, effortlessly in sync with each other and creating their own brand of sound. They happily announced and played their rhythm driven songs to an almost empty room. I suspect the only other people in the room besides us were staff or band members from the next support. Tracks included "Backflips", "Take Your Time" and "Work Around It". They also played a song called "White Rabbit", which was eerily appropriate as I drank a White Rabbit Dark Ale.

Them Swoop’s short final song was probably their best, as the rhythm guitar chords that dominated their set was replaced by a solid riff. Overall I thought they were a quality first support, but probably need to discover some type of X-factor to take their young band to the next level. Good set, Them Swoops!

Undercolours took us back to American high-school pop rock of the 80s for the second support. A collision of Bruce Springsteen, Bryan Adams, Air Supply, Journey, Cheap Trick and so on, along with the guitar effects of U2. Their set was like listening to the soundtrack to a 80s John Hughes film, which is fitting considering the guitarist looked like Emilio Estevez!

Undercolours were fun but in a novelty kind of way. They played well, but their sound was too familiar. I felt like this band been done before. There was also a slight air of cockiness to them, in contrast to the "we're just happy to play and have fun despite the empty room" vibe of Them Swoops.

The Undercolours novelty wore off on me quickly as every instrument began to sound like a cliché of the 80s Americana rock sound. That wave has passed for now.

The crowd had swelled in readiness for the main act, but it was far from capacity and the energy was quite restrained. Maybe it was the mid-December Thursday night factor, but few in the audience were willing to approach the front of stage position.

We first saw Expatriate support Something For Kate in 2006, followed by their own headlined gigs in 2007. Our Expatriate live highlight was one packed high energy night at The Corner Hotel.

Unlike those gigs of four years ago, Expatiate hit the stage and began this gig in very understated fashion and to somewhat restrained cheers and applause. It set the low tone of the gig.

The set was opened with new radio single "Miracle Mile" followed by unheard song "Do You Remember", which will feature on the band’s new album Hyper/Hearts that is due out in March. The unfamiliar track lulled the crowd a little.

The anticipated energy was reclaimed when the semi-epic, Cure-reminiscent, "Are You Awake", the lush final track on their In the Midst of This album, was a surprise third song. The excitement was back...but it was short lived.

Early on the band declared that they were underdone and not in their best form after a long break from playing together live...and it showed. This was their first gig back in Australia since relocating to Berlin over the past three years. Several stuff-ups were obvious and some songs seemed undercooked. The band's expressions during the show were very plain. They lacked the full sound and flamboyant energy of the past, which we had been anticipating to experience again. Maybe the lack of audience energy to feed off sullied the band.


Thankfully David Molland did manage to pull off some classic bass rock-out poses...


Next came several more new songs, which seemed more like band practice than a gig. Most of these new tracks seemed relatively slow and mellow for Expatriate and seemed to hinder the crowds desire to recall the songs and spirit of Expatriate circa-'07.

With the crowd holding back about two metres from the stage, lead singer Ben King’s former practice of spending much of the gig half inside the crowd was cut off. At times it seemed like he was weighing up whether to reach out into the audience or not. He never did, staying put on the stage.


The atmosphere was lifted by hits "The Spaces Between" and "Crazy", but the levels were still far below former glory. The sound was much more raw than in the past, with the use of effects seemingly limited.

Despite the band's overall rusty showing, drummer Christo was on fire. He effortlessly drummed true and with flare. The man's fast hands and techno-driving beats showcased his pure skill. Christo must be one of the best young drummers in an indie Aussie band at the moment. I’d love to see a fast-hands drum-off between Christo and Nik Kaloper of The Jezabels.


A song called "Design" finished the gig. The band gave a neutral "thanks" and departed.

There was a slow and weak call for an encore, which eventually built into a decent enough appeal for one more song. But Expatriate were done and no more to be seen. The lights stayed low and house music remained off for long enough to give the impression an encore was imminent, but when nothing eventuated the flat mood and slight disappointment of the night was only confounded.

Expatriate are a great band, a class act, but they were just off their game tonight. Back to the rehersal room, boys! There's polishing to be done.

Here’s hoping they are back in full force when the new albums hits the streets!

Don't just listen to my one view about this gig though. Other reviewers had a much more positive experience on this night and saw it quite differently to me. So, check out the reviews at:
There's also a good recent interview with Ben King on Mess & Noise at:

Saturday, April 23, 2011

Band - Big Scary

Gig: Big Scary "Four Seasons tour"
Supports: Step-Panther, Kins
Venue: East Brunswick Club, East Brunswick – $15 tix
Date: Friday 1st April, 2011

It was comforting...finally returning to one of my favourite Melbourne bandrooms for a gig and enjoying an initial 30 minutes of thumping lo-fi garage rock.

Step-Panther opened this gig to a crowd of less than 25 with a good mix of short old-school punk-ish alt-rock songs that resonate throughout your body without burning your ears.

Their songs are classic punk - short with abrupt endings - but typical of the modern era, pop influenced and essentially lyrically void. Thankfully, they were just having fun! I had download a couple of their songs from TripleJ Unearthed the prior week and found these recorded tracks somewhat harsh and unbalanced. Therefore, my expectations coming in to this gig were low. Thankfully, their live mix was much better, with a well harmonised and fuller sound.

The band was enjoyably casual yet confident, but I do not understand why they spoke with American accents...or is that just a hipster thing? They coped well with an emergency guitar string repair, with the bassist and drummer performing an ad-hoc cover of Ain't No Sunshine.

This is the kind of band I enjoy randomly experiencing live. Personally, I am unlikely to buy their recorded stuff, but they they fit perfectly with the Melbourne rock scene, which is championed by venues like Pony and The Tote. Good work, Step-Panther! I really enjoyed the set.


The next support was Kins, the new band of Thomas Savage, who co-founded but has since left Oh Mercy. Kins brought a mellow feel to the room with their indie-folk tunes.

Possibly the best description I have seen for the Kins music is "experimental pop". Whilst providing plenty musically, the band seemed a little bland and bored at times, which is never the way to capture a crowd when you're a support act. Nonetheless, their set was musically enjoyable, it just lacked energy or presence...and hence there was little for me to recall about them, other than it's awesome seeing a girl capably playing a Telecaster in a band like this. Chick guitarists rock!





In contrast, every time Big Scary hit a stage they emit rays of joy at just being there to play their music. Watching this band play imparts the feeling that they are having endless fun regardless of the audience size or what any listeners or critics think of them.

A rewarding unconventional band, Tom Iansek and Jo Syme knew that a live interpretation of The Big Scary Four Seasons LP would be a challenge for a two-piece. Musically and thematically rich, the LP brings together the four seasonal EPs released during 2010.  The resulting compilation is a scattered affair. Disjointed and constantly changing pace and mood, it is ultimately the perfect analogy for the Melbourne weather it describes.

Pulling in a sell out crowd for the first of two headline shows at the East Brunswick Club, the audience was notably full of youngins and hipsters but thankfully well supported by a healthy mix of random music lovers.

The Big Scary set was divided into the four seasons, opened by Autumn. Dressed in raincoats and Autumn leaves, their refreshingly unorthodox approach was showcased from the first chord as the duo began with a soft new song, Gladiator, followed by the very first song they released and boppy fan favourite - The Apple Song - from a 2008 CD single. It may have been a perplexing start to a gig for their new followers and those who were generally unfamiliar with the Big Scary approach, but I can only thank them for being different. Nonetheless, the Friday night crowd was awoken by the familiar (at least for TripleJ listeners) and rudimental drum march driven Autumn.

Next came Winter, which provided the most sedate and cosy songs of the night through Deep Freeze and the new Got It Lost It.

Spring brought out the acoustic guitar, once again demonstrating Tom Iansek's brilliant easy of transition between electrical guitar to keyboard piano to acoustic guitar and back across them all and more.

Microwave Pizza is another Big Scary fan favourite at live shows and tonight was no different as the front rows clung on to every desperate word of the bittersweet love song to that housemate that everyone knows...or if not...to themselves.

The Spring and Summer sets where joined by two new songs that are destined for Big Scary's debut album release, due out later this year - Heartbreak and Mix Tape, followed by Purple.

This slow burn gig hit its highs during the Summer set with new song Mix Tape and the Four Season's biggest rock song, Tuesday is Rent Day, a highlight of the night for many.

Cool Kids and All That You've Got followed...and then the gig was rounded off with one of my favourite Big Scary tracks, the sonically thick and appropriate closer Lullabies, Lies and Goodbyes.

However, everyone knew that a Big Scary gig could not end without a performance of their most well known tune, Falling Away. Not surprisingly, said song was the single encore, played with a variation on the opening and an energy that shows no sign of tiring.

In little over an hour the four seasons had been musically transversed. The gig was all done and dusted and the crowd was satisfied. However, we all left with the undeniable sensation that the best was yet to come from Big Scary...and that best will be something extra special.











Keep your eyes and ears on Big Scary, Australia. They are an act worth treasuring.

Even with their classical ballads, Big Scary are very rock. A real education in diverse musical talent.



For a better review of this gig, check out the Faster Louder post by Clementine Zawadzki at: http://www.fasterlouder.com.au/reviews/events/28180/Big-Scary-Kins-Step-Panther-The-East-Brunswick-Club-Melbourne-01042011

Friday, April 1, 2011

Band - Sin City...last gig of 2011...already!

Melbourne is rocking along beautifully at the moment. The street-press pages are thick and live music venues are overflowing with emerging and established acts performing a diverse range of music..something for everyone...whatever your aural drug.

One particular gig that has hit my headlines is the "last gig for 2011" from Sin City...

...huh...last gig of the year...in April?!? Whaaaa?

Here's the PR explanation, via their Facebook page:

"It's been 9 & 1/2 years since Sin City exploded onto the Australian music scene. Armed with nothing more than 3 chords and a maniacal stage presence the band went on to become one of Australia's premier independent rock acts clocking up over 900 shows, touring Australia countless times, moving from Perth to Melbourne, playing everything from the Big Day Out to Sounds Loud and with everyone from The Misfits to Metallica. Not bad for a pack of punks.

But now it seems the road is finally starting to catch up with the rock'n'roll juggernaut that is Sin City and the band are going on hiatus while members travel overseas and try to catch up on some sleep. They do promise to be back but not until at least 2012!

So let's get pissed and celebrate all things Sin City with a fuck off huge party at Pony on Saturday 16th April.

Starting from 9pm Sin City have invited some of their favourite Melbourne acts to warm up The Pony stage with Stranglehold, Bombing Angels, The Mercy Kills, Ramshackle Army and Australian Kingswood Factory joining forces to create one of the best line-ups you can see. Then from 2am Sin City play their favourite time slot in their favourite venue for the last time in who knows how long.

Expect 2 sets, songs spanning their (almost) 10 year career, tears, beers, cheers and a blood-boiling, fist-pumping, body-slamming, heart-breaking, dance floor shaking, good time like only Melbourne's kings & queen of rock Sin City can deliver. Rock'n'Roll satisfaction is guaranteed and Do Not Miss This Show! HELL YEAH!!"


I have blogged here previously my love for Sin City and Pony bar's 2am late shows on weekends. This band knows how to kick on and on and on, whilst imparting their messy energy onto a forever keen crowd of randoms. If you love some raucous pub rock, it will be a night worth experiencing, supported by a local band line-up that is worthy of a big dirty rock party in a tiny space.

Sadly, this gig is on a night on which I'm committed to going to bed early, in preparation for the Herald Sun/City Link Run for the Kids event the next morning. In my world, running 14.38km at 9am makes gigging the night before mostly impossible. However, I encourage anyone who enjoys a late night out with a bit of dirty rock and a fun crowd to get along to this gig!

Sin City's Tash at The Green Room, 2006

My gigging has been somewhat limited of late. Nevertheless, I have locked in to revisit some of my favourite local artists over the next month and am looking forward to hearing what their support acts have to offer.

First up...tonight we are headed for the Big Scary gig at the East Brunswick Club. Supports include Kins (Thom Savage, formally of Oh Mercy) and Step-Panther from NSW. For only $12, I consider this something of a bargain gig these days - brilliant band, awesome venue - it is too rare to find such a gig under $15 these days.

Big Scary at Northcote Social Club, May 2010.

Next week we'll catch The Jezabels play The Corner (wow...it has been too long since we've had a night at The Corner!) and then return to EBC on Friday night again for Gareth Liddiard and Dan Kelly.

Further, with the Melbourne International Comedy Festival commencing tonight, I am taking a punt on seeing LA comedy-music act The Dan Band at The Hi-Fi Bar. My only exposure to The Dan Band so far has been through their Christmas song "I Wanna Rock You Hard This Christmas" and their cameo in The Hangover, which has been enough hilarity to suck me into seeing them live. I do love quality comedians who are musically talented as well, because they inspire me whilst making me laugh...the type of high I embrace in life.

Friday, October 15, 2010

Bands - Melbourne still rocks...so LOOK OUT, Summer!

With Summer approaching, the pages of the local music street-press magazines are growing thicker...as peak live music season returns...and it is shaping up to be another fine Summer of rock in Melbourne!

Live music venues and bars are certainly buoyed by the prospect of a bumper Summer music season after the mess of last year's Liquor Licencing fiasco, which saw many small venues under threat from conditions that restricted their activity. This was due to an unjustified link between live music and violence, which was suddenly being enforced like never before. However, in the last month - through the great work of Music Victoria, SLAM and Fair Go 4 Live Music - the Victorian State Government has now removed the link between live music performance at licensed premises and crowd controller licence conditions, with the Live Music Agreement!

You can read more about that on the Music Victoria website.

For me, it will all kick off again next weekend with the Melbourne International Arts Festival, celebrating music passion and diversity with cult bands, through two nights of big gigs held at the beautiful Forum Theatre, which will be transformed into the "Beck's Festival Bar" (ug, Becks...I do hope I have time to enjoy some quality craft beer at Beer DeLuxe before and after the gigs...!)
  • First up will be next Friday night (22 October) with The Drones, supported by China's P.K.14 and The Twerps.
  • On Saturday night (23 October) we will be back for The Bronx in their mexican-alter-ego-mode, Mariachi El Bronx, supported by Eagle and the Worm and The Ukeladies.
Looking ahead, other gigs that are locked in include The Drone's frontman, Gareth Liddiard, showcasing his debut solo/acoustic album at The Thornbury Theatre on Friday 5th November (which will actually be my first ever gig at The Thornbury Theatre)...and some little band that I liked when I was a kid, called U2, who are playing Etihad Stadium on Wednesday 1st December.

A couple of my favourite little Aussie bands will be kicking around too. I recommend checking out The Jezabels at The East Brunswick Club on Friday 26th November. The Basics at Northcote Social Club and Papa vs Pretty at East Brunswick Club during October are gigs that I have on my radar as well. Also, if the Collingwood fans have stopped celebrating at the Grace Darling Hotel, it may just be safe to return to catch Blackchords play a Thursday residency.

December will also be a good month for the "old guys" who are still doing good things...especially at The Corner Hotel where you'll be able to catch gigs with Colin Hay, Hoodoo Gurus and Peter Combe! Now that is serious fun!

And for the ultimate experience is Melbourne dirty rock...catch Sin City play the Pony late show (2am) on Saturday 30th October!